Ron Gallo - The HI-FI1043 Virginia Ave #4 Indianapolis,IN
01/18/2018 9:00 PM - 01/18/2018 11:00 PM
An Open Letter from Ron Gallo to Humanity:
(Shredding. Speaking. Writing. Thinking. Reading.) I straddle the fence between two mindsets –
1. The world is completely fucked and,
2. The universe is inside you.
I have probably spent too much time being pissed off and upset with humanity; how far we’ve let ourselves go. Just another millennial guy with large hair trying in earnest to take on the weight of the world; taking passionate and hypercritical walks down city blocks, somehow totally aware and above the illusion, overflowing with informed negativity to destroy the illusion and only feeding it.
Besides a couple of years of emotional and mental turmoil, loss, confusion, breakdown and internal growth what did all of that ever
get me? Well, it gave me this record called “HEAVY META” and it is the first few findings from my guerilla treasure hunt for bullshit, both outside and within. Ethos meets pathos.
There is nothing about reading this bio that will achieve its only goal - to further acquaint you with the music. I suggest you put the phone down, come to a show and make up your own mind. You work hard, or don’t work at all; but the search for purpose and meaning is real and the need to relate, release and rage is just as visceral. And though I can’t control what you think, maybe, JUST MAYBE, I can spark some emotion that might unite us in tacit understanding through the language of music – where the words “fuck yeah” say everything.
Just the existence of a biography in someway makes it seem like my life is more interesting than your life - far from the truth. I am more interested in YOU, and how we connect that to the WE; that is the reason why I put this stuff out there. These songs - whether they’re about the time I saw a mother’s cigarette ash falling onto her child’s head in a stroller, or the wars we start within ourselves or, the domestication of punks - they immortalize images and moments in this singular existence that seem to hold a more universal truth than what is taken at face value. And for all this I have nothing but gratitude for the process that lead me to create this album - the 4,929,647 album of all time.
HEAVY META LP
...is 11 tracks of lyrical confrontation and laughter for cynics laid down roughly on a bed of fuzz, chaotic structures and primal sounds evoked from a red Fender jaguar electric guitar - there is bass, there are drums and not much else besides the occasional icing (no artificial colors or dyes). It’s not comfortable and easily pinpointed and I’m sure that will create an issue for the desire for neat little boxes we have grown to love. On my shelf currently there is a Mahalia Jackson record sandwiched between “Funhouse” by The Stooges and Minor Threat. Lately on long drives, we’ve been deep into the Eckhart Tolle audiobook for “A New Earth”, a variety of comedy podcasts (specify), our friends and bands in our new adopted home of Nashville, stand-up specials and revisiting 90’s hits - oh, and listening to our own record a lot to make sure the mixes are right on car speakers. My bedroom window curtains are orange. We tour in a maroon SUV. The band, RG3, consists of Joe Bisirri on bass and Dylan Sevey on drums.
If you’ve made it this far, now might be a good time to go over some pretty boring backstory to create further context for the “assets” of my “brand”:
I was in a band called Toy Soldiers for about 8 years that started as a drum/guitar duo between my longtime friend from middle school and I, fluctuated into a 12- piece freak show and then eventually a solid 5-piece rock and roll group. I consider that brand my musical training wheels. It was the reason one night in 2007 I realized in a low ceiling south Philadelphia basement that maybe one day I could be a singer. We barreled around the country many times, made many mistakes, had good times and eventually played our last show in August of 2014. Shortly thereafter I started a label called American Diamond Recordings and put out a record called “RONNY”, the cover is my face with a slice of pizza on it and it sounds like an island vacation. I didn’t know what I was doing when I made it. I still don’t know what I’m doing and I plan on keeping it that way.
The only thing I do know is that I want to use music to reflect the times and as a primary outlet for me to become a total psychopath on stage, challenge myself and talk about potentially heavy real world things, call you out, then maybe we can even hug after the show. I am forever grateful for this life and anyone that ever comes to a show, buys a record and wants to have a real conversation. I have no idea where things are going, but I know it’s best to grow with them and be okay with whatever happens. As for right now, it seems like a great time to WAKE UP, put all of ourselves into it, acknowledge our own personal limitless value and beauty and if I can be any part in that, well then, awesome. Thank you.
Liz Cooper & the Stampede
"It started with golf clubs and country clubs, but now it’s all rock clubs,” Liz says, giggling. She spent the majority of her life developing her golf skills, only to drop her college scholarship to move to Nashville and pursue music. “Writing songs and playing the guitar came as naturally to me as golf did. But music tickled my brain in a way nothing else ever could.”
But, Liz didn’t know a soul in Nashville when she moved. So, she went and got a job at a familiar place: a country club. “Liz may not have known anyone when she moved here,” says the Stampede low-end provider Grant. “But now, I feel like she knows pretty much every person she walks past. She just doesn’t stop smiling, and people don’t stop smiling back.” Coincidentally—or not so coincidentally cuz, well, Nashville—some fellow co-workers at the country club also had a band. They called themselves Future Thieves, and they offered to record Liz’s first EP, Monsters. After that, Liz began writing songs as frequently as she smiles. She formed a band with Ky Baker on drums and Grant Prettyman on the weird long guitar, and they recorded the Live at the Silent Planet EP. And now, there’s enough new songs to record a full-length album.“The record we’re working on now is a combination of Liz’s darkly-lit, reclusive songwriting habits, and Grant and I’s Rolling Rock induced rock and roll” chimes Ky. “It’s about bringing our different styles together to create something that makes us all question what kind of music we even like anyways.”